Book Review: THE BLONDE
Last week, I piled high my praise for Duane Swierczynski’s heist novel The Wheelman [here]. But I was still wholly unprepared for his follow-up, The Blonde. Let me start with its opening lines:
“I poisoned your drink.”
“Excuse me?”
“You heard me.”
“Um, I don’t think I did.”
The blonde lifted her cosmopolitan. “Cheers.”
I haven’t been yanked into a story that fast since President Palmer took the big sleep in last season’s 24 opener. Now let me quote from The Blonde’s dust jacket:
It’s your typical love story. Boy meets girl. Girl kidnaps boy. Boy loses girl and is pursued by a professional killer carrying a decapitated head in a gym bag.
But none of those comparisons really work. The Blonde is something else entirely. It’s just hard to say what that something else is. A look at the book’s jacket would have you convinced that this is a typical hardboiled crime novel. But it crisscrosses genres faster than you can blink. And it literally ticks like a time bomb, its brief episodes clicking past with markers like “
The Blonde is terrific. Right now, I’m leafing back through it to see just how Swierczynski did what he did. There’s a lesson in these pages for aspiring writers of noir fiction.
After only two novels, I’ve added Duane Swierczynski to my list of “must read” crime authors, alongside Andrew Vachss, Dennis Lehane, and Richard Stark. He can’t crank out another book fast enough for me.
1 Comments:
Thanks for the review. This is now on my wish list.
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